One-of-a-kind vs. production jewelry

Ok so there are lots of different kinds of jewelry, and different ways that it is produced. I want to talk about the difference between production jewelry and one-of-a-kind jewelry. These are the two main production methods that art jewelers use to produce original designs and fabricate their products.

Production line stacking rings

Production line stacking rings

Production line jewelry is (in general) a cohesive collection of jewelry that can be easily reproduced. It is generally assembled in batches and sold at a fixed price. The production process is well documented so that it is easy for the jeweler to streamline the process, or the company to outsource specific tasks, or the collection all together. Jewelry stores like production lines because all the pieces look good together, ordering is simple, and they know what to expect.

One-of-a-kind rings

One-of-a-kind rings

One-of-a-kind jewelry is entirely different. Each piece is made separately, and without the intention of re-producing or mass-producing it. Each piece is sketched out, designed, fabricated, and finished by the artist, either as a custom project for a customer, or as a unique piece for the artist to sell, display, or wear. One-of-a-kind pieces are special because the artist put so much thought, time, and energy into them, and because they are one-offs and no one else will have the exact same piece. Sometimes they are part of small collections or series, where the artist is working with a specific idea, technique, or style, and sometimes they completely stand alone.

The prices can also differ wildly. Obviously jewelry prices can be all over the place depending on the store, artist, location, production method and materials. But in general, one-of-a-kind jewelry is going to cost a lot more than production jewelry. Each piece is unique, so the artist must account for all their time designing, fabricating, finishing, photographing, and selling each piece. If you see a piece marked OAK or OOAK, know that it costs a bit more because it is the only one of it’s kind that the jeweler made. With production, the process is somewhat streamlined and sometimes outsourced, so the cost of each piece is going to be a bit lower. This does not mean it is inferior quality, or not as valuable as the one-of-a-kind jewelry. It just means that the artist or company made multiple of the same piece, and kept the cost down.

When it comes to my own work, I do both production and one-of-a-kind. I find that I enjoy making one-of-a-kind jewelry more because I have so many ideas and don’t like feeling stuck in a rut. I like working with different shaped stones and materials, and creating something different each time. Of course, I still make production line jewelry too. I make dozens of my kitty cat earrings and stacking rings each year because they’re easy to make and easy to sell. With my production line, each piece is still handmade by me, but I’ve made these pieces so many times that I know exactly what goes into them, what my process is, and how much time it will take. I’ll usually make a batch of the same product, just because I know I’ll be able to sell them and it’s faster that way.

No matter whether I’m making production work or one-of-a-kind I put a ton of love into each piece. I truly want each piece of jewelry I finish to find a good home and be worn and treasured. In my website shop, you can see my production line jewelry if you click on any of the buttons that say “simple” and my one-of-a-kind jewelry if you click on any of the buttons that say “fancy.” I also have some custom items that are one-of-a-kind, but made to order, like my “magic words” jewelry and my “stellar” collection.

I am so grateful I get to do what I’m passionate about each day, bring people together with my artwork, and make the world a more beautiful place.

New Locations!

Hey friends,

I'm now selling my jewelry at 2 new locations!

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Honed on Capitol Hill - a sweet little jewelry shop with all handmade fine jewelry

Columbia City Gallery - a crafty artist-run gallery.

I also have work in 2 gallery shows:

Get It On - The UltraModern Necklace

Oct 3rd - Nov 2nd

Soil Gallery

112 3rd Ave S

Seattle WA 98104

http://soilart.org/

Linked

Oct 13-27

Kobo at Higo

602 S Jackson St.

Seattle WA 98104

https://koboseattle.com/

And 3 pop-up shows later this year. Here’'s all the info:

Columbia Bank - Pop Up Holiday Jewelry Show

November 9th 6-9pm

2212 NW 56th St

Seattle WA 98107

Schack Art Center - Pop Up Holiday Jewelry Show

Nov 23-24

2921 Hoyt Ave.

Everett, WA 98201 

https://www.schack.org/events/

Elsom Cellars - Pop Up Holiday Jewelry Show

December 1st

2960 4th Ave South

Seattle, WA 98134

http://www.elsomcellars.com/events/


Come say hi and buy some jewelry!

Burn Out

The burn out is real. Running a tiny business is hard work. I want to acknowledge my privilege, good luck, and all the amazing things I have in my life, but I also just want to take a minute to vent. I’m sure many of you can relate.

I wake up every week day at 5:45, go to the gym, take a shower and eat breakfast. by 7:45 I’m working on emails, social media, finances, photographing, scheduling, website maintenance, ordering, shipping, and general organization. I’m lucky if I’m in my studio by 9. I work in my studio (or other jewelers shops) from 9-6, or sometimes later, go home, shower, eat and sleep. If I have enough energy I do social things. I try not to work on the weekends, but it’s difficult when there’s always something to do.

I love what I do. I love making beautiful things that people can wear. I love working with other jewelers, learning new skills, and meeting new people. I love doing jewelry repairs and seeing my customers smile. I love working in my studio all day and spending time with my amazing studio mates. I feel like it is such a luxury and privilege to be able to do what I love every day.

But the reality is that I’m working all the time. I don’t really have any other hobbies. I’m constantly stressed out about money. I’m constantly checking my email and social media to see if I have any new orders, and to get the happy brain chemicals when I get a new like or comment. I can’t turn it off, cause if I’m down, my business is down. When I take a day off or go on vacation, I’m still checking and worrying about all the work I’ll have to catch up on when I get back.

I try to enjoy the little things. I try to organize my life and daily schedule in such a way that I don’t have to think too much about it or stress out about scheduling. I try to live as ethically as I can because I care so much about the world, humanity, and animals. I am grateful every day for my mental and physical health, abilities, and well-being. But sometimes the heaviness of it all gets to me and I just want to hide under a rock.

I used to work at a full time job making engagement rings. I would mentally check out for 8 hours, assemble 20-30 of the same engagement ring, and got paid decently with good benefits. Sometimes I think about going back to that, but I just can’t. I didn’t like being a zombie for 40+ hours a week. I would have panic attacks on Sunday nights. Even though I was never worried about money, I didn’t have any time for myself and my art.

Now, although I make my own schedule and I love what I do, I’m always worried. About money. About my future. About my health. About the health of the planet. What can I do?

Thanks for reading. Here’s a photo of my newest work. Most are available here https://nina-raizel.com/fancy-earrings-handmade/

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Gallery show, teaching, and new work

First of all, I have a few pieces in a show organized by the Seattle Metals Guild. It's a beautiful small gallery and the show is really spectacular.
https://columbiacitygallery.com/

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Next, I’ve started teaching classes! Classes are one-on-one at my jewelry studio on Capitol Hill. They are generally 2 hours long and $30-$60 per hour. Here’s what I can teach

-Basic jewelry skills (sawing, filing, drilling, forming, designing)

-Chains (how to make jump rings, chain design and assembly)

-Prong setting (building a prong setting from scratch)

-Bezel setting (building a bezel setting from scratch)

I’m pretty new at this, but feeling good about it. Hit me up if you wanna learn my secrets!


Lastly, here’s what I’ve created in my new studio! I love it there so far!